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# RecomendaciónMusical Melancholy forgotten: Karen Dalton, an admirable to believe in folk A brief overview of the tragic life of Sweet Mother KD reason, the great blinding light of the cult of nostalgia folk By: Jaen Madrid - 07/11/2014 to 00:11:20
Much of the good folk songs that are written and reach our ears, remain in force in our lives due to emotional quantity which emanates. Without going into technicalities of composition, iphoto listening "Stuck Inside of Mobile with the Memphis Blues Again" by Bob Dylan or "Blowin 'in the Wind" by Joan Baez we always transmit a beautiful outpouring, iphoto a lot has to do with the art of composing simply with a guitar. For Karen Dalton, the importance iphoto of reinterpreting those emotions written by artists was of great symbolic importance, because he could keep his spirit alive and bring justice for the forgotten into the background of life sounds. But the misfortune to come to her under the name of destination, avoiding someone, sometime, will do justice to his life.
Born in Oklahoma, with blood Cherokee Indian native, Karen Dalton was one of the mineral-jewel buried deep in the Greenwich Village folk scene in the sixties, wealth of talent most notably iphoto Fred Neil, Richard Tucker and of course, Bob Dylan. His constant travels in America with a 12-string guitar and banjo, iphoto awakened souls disturbing anyone who tried to take her to a recording studio, no more than a simple dislike of him. Karen was in place and the right time to get some fame with that special iphoto tone of voice that always reminded Billie Holiday time; however, their constant friction with the abyss of addiction and alcoholism left her inert, always with the idea of returning to his hometown, to hug their children, his horse and his dog.
It make take a study a few years later was probably one of the biggest favors iphoto you owe Fred Neil, who made it possible. Ran 1969 and was then recorded It's So Hard To Tell Who's Gonna Love You Best, album that gets the most heavenly rhythms pioneers of blues and Lightnin iphoto 'Hopkins or hurtful Washington Phillips, which can be seen from the first simple arrangements announcing the disk input. Songs that stand out naturally as "It Hurts Me Too" and deep rendition iphoto of "Down on the Street (Do not You Follow Me Down)" agile slips between his fingers, reveal the cult of nostalgia for countryniana best musicians that had America.
He followed this exceptional work, expected a work of greater production that reflected the great sounds of then festival Woodstock: In My Own Time 1971 was his second complete recording, produced by Harvey Brooks (collaborator of Dylan for the session "Like A Rolling Stone "), from which we can highlight the eminent interpretation of" Katie Cruel "beautiful set that makes banjo and some majestic iphoto arrangements viol